Thursday, April 11, 2013

Wednesdaybusiness 4/10/13

I've got some cheap wine, I've got some Boards of Canada albums loaded into iTunes... Let's talk about comics.

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Age of Ultron #5 by Brian Michael Bendis and Bryan Hitch


I don't have much to say about this issue. It's a typical Bendis-y comic where it takes an entire issue for the characters to stand around and discuss their plans. Bendis apparently never took a semester of highschool creative writing like I did, so he never learned the "show, don't tell" rule.

The story also remains relentlessly grim and depressing. I literally regard reading this comic as a chore I have to complete every week. As expected, others are already starting to tell me it's one of their favorite comics.

Bluh.

This is the most exciting panel I could find.
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Avengers Assemble #14(AU) by Al Ewing and Butch Guice


Usually a really fun, lighthearted comic, this issue takes Avengers Assemble into the Age of Ultron to bum us all out.

Basically, this issue explains how Black Widow got that funky-fresh scar on her face, and how she tricked Moon Knight into being her sidekick. Hint: It all has to do with Ultron taking over the world.

Not seen: Any sort of Avenging.
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Ultron #1(AU) by Kathryn Immonen and Amilcar Pinna


In case you were wondering if I'm a fan of Age of Ultron... I'm not. Case in point: I actually got a little excited to see Kathryn Immonen - one of my favorite comic writers - doing a Runaways themed story. It seemed like it couldn't miss.

Unless, of course, the whole story is about Victor Mancha slowly losing his robotic mind after all the other Runaways were killed gruesomely.

Victor tried to atone by saving a bunch of kids during the Ultron-apocalypse, but then most of them got killed gruesomely too.

The end.

Age of Ultron is apparently never allowed to be fun.
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Okay, we're done with Age of Ultron for the week, so we're finally able to reclaim some of the joy we lost in our lives.

Avengers Arena # 7 by Dennis Hopeless and Alessandro Vitti


This issue was an interesting departure. It completely steps away from the main narrative to provide a sort-of origin story for the new and improved, Battle Royale obsessed version of Arcade we've been seeing in this book.

I've said it a few times already, but this comic really had to win me over from a point of 0% interest, and it has managed to completely hook me. And because I am a dude who REALLY likes Arcade as a character, I loved seeing this issue's take on how he ended up orchestrating this particular death-trap.

One thing I really respect about the way this book is being written is that it wears its influences on its sleeve. It was very clearly a comic based on an editorial mandate: Marvel wanted to cash in on the current Hunger Games / Battle Royale craze, and drafted the concept of the book by committee. But by having Arcade constantly and openly talk about how he was totally inspired for all this by reading Battle Royale, it mitigates some of that Corporate feeling and makes the story feel a lot more organic and character-driven.

I could honestly read an entire ongoing solo title about Arcade, but I am still eager to see what's going on with the kids next issue.

I need one of those giant hammers.
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Avengers #9 by Jonathan Hickman, Dustin Weaver, and Mike Deodato


Ex Nihilo has summoned Starbrand and Nightmask to Mars so he can explain that he's trying to turn the Earth sentient. He then sends them to go check on the giant brain he's growing. Starbrand gets in a big old fight with the Avengers, and only loses because he doesn't want to hurt them. In the end, Starbrand and Nightmask agree to go live in the partially-constructed Dyson Sphere that Tony Stark's been working on over in New Avengers.

Hickman's clearly got big plans for his two Avengers books, much like he did a few years back on his two Fantastic Four books. I fear that these comics will get more and more difficult to explain as they go on and begin to overlap more and more... but they are REALLY FUN.

It's a brain made of alien worms. DUH, Smasher.
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Avenging Spider-Man #19 by Christopher Yost and Marco Checchetto


I haven't actually been following this comic, but I have a weird weakness for comics with Sleepwalker in them. I don't really know why.

Thankfully - since I was jumping in at issue nineteen - this story was a one-off that leaps right into the action, with Otto/Spidey already locked in psychic battle with some sort of nightmare demon and Sleepwalker trying to restrain the possessed Spider-Man in the real world.

In the dream world, we get to see a lot of Doc Ock's fears and daddy issues get played out, and in the end he gets his first glimpse at the mental remains of Peter Parker that are still living at the edges of his consciousness. This actually feels pretty important, so I'm glad I picked this one up. Also, Sleepwalker. I just like that guy.

No mercy for dream monsters.
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Batman and Red Robin #19 by Peter J. Tomasi and Patrick Gleason


I am really loving these dopey "WTF" fold-out covers that DC is doing this month. Though I think it was kind of a weenie-move to pull the actual "WTF" logo at the last minute. If you're gonna' put the word "fuck" on a Batman cover, just fuckin' go for it!

Anyway, this cover poses the question: Is the Dark Knight's new partner... Carrie Kelley?! The answer is... Nope. Sorry for the spoiler!

Nah, she was actually just Damian's English tutor, and she wore a Robin costume to a party one time. And... that's it. It doesn't seem like she's even going to become a recurring character or anything. Yyyyyup.

However, aside from the diversionary tactics of the cover, this comic was quite fun overall. Batman's not dealing very well with losing another Robin, especially one that was his son. So he tracks down Frankenstein's Monster to dissect him and figure out how to do the same to his dead kid... Which, frankly, is pretty awesome. Needless to say, Red Robin doesn't approve, but eventually it's the half-dissected Monster himself who convinces Batman that the life of a Frankenstein is no kind of life for a young boy.

I mean, this is obviously all going to all end with Damian being resurrected in one of his grandfather's Lazarus Pits - if you're directly related to a character whose ENTIRE DEAL is that he can come back from the dead, it's basically a given - but until then we may as well enjoy the crazy ride!

Awkward Conversation is Awkward.
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Constantine #2 by Ray Fawkes, Jeff Lemire, and Renato Guedes


Another of DC's "WTF" covers that doesn't pay off. Constantine does meet The Spectre, and they talk for a bit, but Constantine does not so much die, or even, like, get a runny nose or anything.

Like Batman and Red Robin, however, once you get past the silly conceit of the publisher-mandated cover art, you actually hit a pretty solid story. John Constantine is trying to track down the pieces of some sort of mystical compass, and all of his usual magical enemies are trying to murder him in gruesome and creative ways, which is exactly how I like my Hellblazer stories to be.

My enjoyment of this particular comic does come with my standard Nü52 caveat, though. The characters all have costumes that are about 35% uglier than you remember them being, they often have powers and abilities they didn't before, and sometimes they're just entirely different people than you may recall.

Like, I have no idea why Fawkes and Lemire decided to turn Mister E into some sort of Colonel Sanders-esque Southern dandy, but that's what they went ahead and did. Also, I know that The Spectre's costume has always been a cape and underpants, and I get that that's not really an excellent starting point, but somehow he looks even sillier in his Nü52 apparel: Why'd he cover his whole body with belts?

Those are all just minor Nü52 gripes at the end of the day, though. The one real problem I had was that they all danced around saying the word "God" regarding The Spectre, instead using terms like "your boss" as a dodge. I understand that it doesn't represent a standard Christian theology, and some folks may get offended by it I guess, but c'mon. The Spectre's been around since 1939: If people are going to flip out about his origin story, they probably would have by now.

I get disproportionately angry when people write a Southern accent phonetically.
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Fantastic Four #6 by Matt Fraction and Mark Bagley


The Fantastic Four go back in time to watch the Big Bang. It turns out that a future version of Blastaar the Living Bomb-Burst has been sent there as well to be executed for his crimes against the intergalactic community. The Fantastic Four try to save him, he tries to kill them, they kick his ass.

There isn't really a whole lot more I can say about this one. But it was a very entertaining read. I love the way Fraction is playing with these one-off stories after years of extremely complex Fantastic Four books.

The Invisible Woman is one of my favorite superheroes. There. I said it.
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Fearless Defenders #3 by Cullen Bunn and Will Sliney


You know, I think I'm just gonna' repeat what I said about this comic last month:

As for the story itself, it's starting to feel like the first year+ of this series is just going to be them assembling the team. I have some mixed feelings about this: On the one hand, it makes for some occasionally pretty boring stories; but on the other hand, it means Marvel's invested in this book for the foreseeable future, and I really like that. Marvel is being bold, and taking risks on some oddball, character-driven stories without a specific "commercial" draw right now, which is something that big companies are often afraid to do in any entertainment medium. I respect that. So while this isn't anywhere near my favorite comic on the shelves, I think it really sums up what I am loving about the whole Marvel NOW! project.
Aside from the addition of Hippolyta, who is now going by the handle of Warrior Woman (because comics don't always need to be subtle, and I appreciate that about them), not much else happened. They're still basically just building the team, but I am becoming gradually more hopeful about the future of this book the more of it I read. Once the team gets a bit more complete, I think some great adventures can be had.

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Green Lantern Corps #19 by Peter J. Tomasi and Fernando Pasarin


This "WTF" comic actually didn't have any dishonesty on the cover's fold-out, which was nice... though it kind of spoils the ending?

This was part ten of a ten-part story that I didn't read, so I'm not even going to pretend to know what was going on. But Mogo does indeed come through for his fellow Green Lanterns in the clutch, just like the cover implies, and that was good enough for me.

Hey, look! A DC book that isn't all grim and gritty! HOLY YAY!
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Hawkeye #9 by Matt Fraction and David Aja


A (somewhat late) Valentine's Day issue, this comic's all about how bad Hawkguy is with women. If you think that sounds boring, you probably haven't been reading about Hawkguy, and you need to start. Seriously. Seriously, bro. Bro, seriously.

Mockingbird's in a robe and towel because she just finished kicking the shit out of some mobsters in the rain. FYI.
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Secret Avengers #3 by Nick Spencer and Luke Ross


I am really coming around to this comic. I'm a huge fan of all things A.I.M.-related, so their building of a new, super-powered High Council for S.H.I.E.L.D. and affiliated superheroes to duke it out with is just right up my alley.

Also, I was quite happy to see Daisy Johnson (a.k.a. Quake) actually acting the part of Director of S.H.I.E.L.D. for the first time in a while. She's been in charge the whole time, but Maria Hill got to be in the movie, so she's sort of been at the forefront since then. And I know I talk my share of shit about Bendis on this blog, but he really does have a knack for creating genuinely compelling and strong female characters.

If this series continues in the direction it's headed, it could well become one of my favorite comics on the stands. It's already winning me over on the idea of Nick Fury Junior, it's funny, it has a lot of action, and it's working in characters and concepts that are frequently a hit with me. I will be keeping a close eye on this one.

I don't really have a comment for this, lol.
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Uncanny Avengers #6 by Rick Remender and Daniel Acuña


Remender is beginning to tie this book into his amazing Uncanny X-Force run, and I - for one - am very happy about that. Remender is quite honestly the first writer who has ever made me give a damn about Apocalypse as a supervillain, and I quite like the idea of elevating his status from X-Men Villain to General Marvel Comics Villain. It's a leap that some characters just can't make, unfortunately, but I think Apocalypse can do it.

This issue takes place entirely in the past, where Kang the Conqueror is getting up to some time-traveling mischief, apparently meddling in a battle between younger versions of Thor and Apocalypse. The issue is mostly fight-scenes, and I am absolutely fine with that. Acuña's art is tremendous in this. I was going to also praise the inking and coloring as being outstanding, but it seems that Acuña handles that as well? Consider me impressed.

"The attack is intended to remove skull from spine."
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Uncanny X-Men #4 by Brian Michael Bendis and Chris Bachalo


Um. This comic basically tells the exact same story as last week's issue of All-New X-Men, also written by Bendis. It's... not entirely necessary.

The only bit that stuck with me was Cyclops' new group of untrained mutant teens stumbling into the Danger Room without knowing what it was. That was a fun scene, and I really like the new characters in this series. I hope they have a decent X-Career ahead of them.

AAIEEE!
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Wolverine #2 by Paul Cornell and Alan Davis


The story here is still maintaining a bit of mystery, making it hard to talk too much about. Basically, there is some sort of malevolent alien(?) intelligence taking over civilians and making them do evil things, and Wolverine's trying to track it down. In this issue, he gets some help from S.H.I.E.L.D.

I am very much enjoying this book, and am a huge fan of both Paul Cornell and Alan Davis. I know there is no shortage of Wolverine stuff on the shelves right now, but this is a comic worth checking out.

I laughed.
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X-Treme X-Men #13 by Greg Pak, Guillermo Mogorron, and Raul Valdez


I'll just go ahead and admit it: I wasn't emotionally ready for ANOTHER Nightcrawler to die yet. Now we're down to just one, the Nightcrawler from the Age of Apocalypse universe, and I really hope he gets to stick around.

Prior to checking out this issue, I did finally go back and read the first twelve issues of X-Treme X-Men, and I'm really glad I did. This has been a really great series that's been flying under the radar. The idea of Dazzler leading a team of extra-dimensional X-Men (including a sexy leatherboy version of Wolverine who's in a serious relationship with his reality's Hercules) to kill Ten Evil Xaviers - including Magician Xavier, Cowboy Xavier, Steampunk Xavier, etc. - is basically a comic designed exactly for me.

I'm sad that this is the last issue, and even sadder to see that they seem to be killing many of the characters off, but I remain interested to see how the rest of the X-Termination event plays out. It would appear that they're going to transform the Age of Apocalypse Jean Grey into the new Apocalypse to do battle against the Celestial-devouring blue guys that were unleashed on the multiverse, and that has the potential to be VERY cool.

BAMF on, Kurt Waggoner.

Thursday, April 4, 2013

Carmine Infantino: 1925 - 2013

A bit of bummer-news for fans of comics in general, and crazyass Silver Age comics in particular: Carmine Infantino, legendary artist/editor/publisher, passed away today at the age of 87.

Go find one of his comics and read it. It just might make you happy.




Wednesday, April 3, 2013

Wednesdaybusiness 4/3/13

And then some comics happened.

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Age of Apocalypse #14 by David Lapham, Andre Araujo, and Renato Arlem


Yet another series I didn't even know existed. As I said last week, the very fact that I'm picking some of these books up means that - to me - this crossover is already a success. This series apparently spun out of Uncanny X-Force, which I loved. In fact, this whole crossover is spinning out of Uncanny X-Force, so if you liked that series you should probably give this a look.

The one problem remains that I don't know who a lot of these characters are, as these comics have been flying pretty low under the radar. Why do Dazzler and Sage have their own team, and why does it contain weird steampunkish versions of the X-Men from other dimensions... and Hercules? I have no idea... but I think I love it.

This crossover also finally killed off Neil Gaiman's stupid Celestial, and I am really happy about that. Now I can merrily go back to pretending that Gaiman never wrote anything for Marvel.

Maybe someday, if you're lucky, I'll write an article here explaining why you're stupid for liking Neil Gaiman so much.

Anyway, the X-Termination crossover remains surprisingly strong, and has left me inspired to go back a ways and check out some of these X-comics I've been missing. I consider that pretty high praise for a crossover book, especially one starring Gambit.

My one beef is that - like all crossovers - they're using this as an excuse to kill off a whole bunch of characters. Granted, I don't know most of these characters, but if I go back and read their comics and really like them, I'll be a little pissed. And I was sad to see Age of Apocalypse's Sabretooth go. The Exiles comics really gave me an appreciation for that guy.

#alphaflightreunionswag
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Age of Ultron #4 by Brian Michael Bendis and Bryan Hitch


OH MY GOD THIS FUCKING COMIC WON'T LET UP. Seriously, does this shit need to come out every week or two? They don't even have the decency to give me a month to recover from the relentless darkity-dark-dark grim dystopian blah blah bullshit bullshit.

Ultron's not really in the Age of Ultron, he's manipulating the world through Vision from the future, somehow. We still haven't been given any details of how he took over the world or anything, but details would just get in the way of the ass-shots and the murders anyway, so fuck 'em.

Bendis is doing some really good work on some of his other books, but this thing is just aggressively stupid. It's boring, it's violent, the art is not-very-good, it's pretending like it's Important without actually providing any reasons why it ought to be viewed that way... This comic is basically a perfect representation of why a lot of people don't like comics.

Here, have a picture of She-Hulk getting shot in the head:

Comic books are SUPPOSED to suck all the joy out of your life, right?
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All-New X-Men #10 by Brian Michael Bendis and Stuart Immonen




This is the other side of Bendis, where he's writing a really solid, entertaining, and fairly lighthearted comic. I really feel like Marvel should force Bendis to stick to character-driven stories with small casts; It has always been his strong point, and when they give him world-shattering action-packed super-adventures to write, he almost always whizzes them.

Immonen's art is still totally on-point in this book: His action scenes are wild, and he even brings a kinetic quality to the talky scenes that makes the pages really pop. Also, I feel like he's the first artist to draw Wolverine as an ugly little hairy guy since Hugh Jackman came along and made Wolverine hunkified in the first X-Men movie.

Guys, it really is starting to seem like Cyclops Was Right.
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Dial H #11 by China Miéville, Alberto Ponticelli, and Dan Green



As part of my ongoing attempts to give the Nü52 a sporting chance, and at the recommendation of my pal Collin David, I spent some time this week catching up on Dial H... and I'm awfully glad I did.

This comic is delightfully strange. It takes a high concept that I've always loved - a rotary telephone dial that can turn anybody into a seemingly random superhero - pulls it from the realm of Silver Age wackiness, and gives it a decidedly 1980s Vertigo feeling. The crazy Brian Bolland covers only add to that bit of Animal Man nostalgia for me.

The book is too oddball for me to summarize without spoiling all the twists and turns it's taken, but suffice it to say that it has my heartiest endorsement. This is the first thing from the Nü52 that I've considered genuinely GOOD, and not just good-for-the-Nü52.

On a tangential note: Whoever at DC Comics that came up with this month's "WTF" promotion should probably be slapped around a little. All month, it's just been right there on every cover of every comic, inviting jerks like me to openly mock their brand with an ease that is frankly a bit embarrassing.

Yep.
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Indestructible Hulk #6 by Mark Waid and Walter Simonson


I already love this series, but they REALLY had me at Walt Simonson illustrating a Thor story. I've actually been following the progress of the illustrations for this issue on Simonson's Facebook page for the past month or so, because I'm just that geeky. For those not as nerdly as I, Simonson's run on Thor is basically considered by most to be one of the best superhero comics of all time, so having him return to Asgard in the pages of Indestructible Hulk is really fun.

The story so far is that Bruce Banner has led his new S.H.I.E.L.D. research team into Jǫtunheimr, land of the Frost Giants, to mine a few metals that aren't on the standard Periodic Table. They run into Thor, who mysteriously is wearing his old costume and has no idea who Banner is, and then they are - of course - set upon by Frost Giants. During the ensuing battle, Thor is knocked for a loop and drops his hammer, Mjolnir (a weapon so badass that it has its own Wikipedia page).

And then Hulk screams "HULK... WORTHY!" and picks the thing up, and the comic ends.

So next month we're either going to see a Thor'd-up Hulk, or find out that they're not dealing with the real Thor, and either way I'm looking forward to it being well-written, beautifully-drawn, and a whole lot of fun.

I'm not using any sort of hyperbole when I say that this is one of my favorite comic book panels ever.
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Red She-Hulk #64 by Jeff Parker, Carlo Pagulayan, and Wellinton Alves


Basically, I can only repeat myself when I talk about this comic. Red She-Hulk and Machine Man are trying to track down Holographic Nikola Tesla to try and save the world, while being pursued by Captain America and the U.S. Military. Red She-Hulk is one of my favorite new characters, Machine Man is one of my favorite old characters, this is one of my favorite comics on the stands right now, and you should be reading it. This series just keeps getting better and better, and I am growing more and more unashamedly fanboyish about it.

Such a fun duo.
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Superior Spider-Man #7 by Dan Slott and Humberto Ramos


So this comic has returned from last week's foray into dumbass crossover territory, and picked the plot back up quite nicely. Though this issue didn't deliver the Avengers versus Spider-Man throwdown that I was hoping for (that seems to be taking place next issue), we instead got a really solid story about Cardiac: a character I honestly always enjoy checking in on from time to time.

Cardiac is an interesting foil for Otto/Spidey: Pitting him against a criminal vigilante whose primary goal is to end disease and save lives is a really solid way to expose SSM's violent methods as being not-so-great for New York.

It's also fun watching Otto eventually lose himself to his supervillainous ways over the course of this series. My favorite villains are always the ones with the damaged egos; the people who can't help but try to prove their awesome might and tremendous intellect at every turn and always, always, always fail to impress anybody. Octavius is rapidly tipping his hand, and at the end of the issue - when confronted by the Avengers - he basically goes full monologuing supervillain.

At the same time, Peter Parker's trapped consciousness is finally starting to go from being a passive observer to regaining some control over his own body, as demonstrated in a scene that was basically cribbed from Being John Malkovich, except without Catherine Keener's breasts.

I'm looking forward to seeing how Spidey fares against the Avengers next issue.

I love supervillain alliteration.
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Thanos Rising #1 by Jason Aaron and Simone Bianchi


Was the world really clamoring for a miniseries about Thanos' childhood? I know he was the big reveal at the end of the Avengers movie (um, spoilerz?), but I don't really think the average moviegoer is going to need the character established THAT well for them. A reprint of The Infinity Gauntlet would probably do the trick.

That's not to say this isn't a good comic, because it is. Aaron and Bianchi are both quite good at their jobs, and always turn out quality work. The story is compelling enough, I just don't really understand why it's necessary. Right now it's just the adventures of Lil' Thanos and his pals. Hopefully things will become clearer as the book progresses. At least so far it's been 99.9% Starfox-free.

Thanos having a fear of scalpels is a weird plot-twist. Warning: Not a joke.

Tuesday, April 2, 2013

Quote:

"But the fact is, I find the level of escapism in comic books unhealthy. Sure, I've been known to hole up in the basement for days playing Doom and reading The Silmarillion over and over, but that's just because I'm hiding from the evil elves who want to steal my third-level charm shield. If it gets to be too much, I'll know." - Michael J. Nelson